#Multiclock erm generator
#Multiclock erm manual
#Multiclock erm Patch
#Multiclock erm pro

Though weird, I can get along with recording audio that's on the grid in this way - with the ERM offset at +1ms. The multiclock can be its own master or synced to external MIDI, DIN sync or Analogue master clocks.

#Multiclock erm pro

This setup seems to work fine for all synths in the studio apart from the Pro 3.

The reasoning behind this setup is that it allows us to record midi or audio for each synth in the studio. Greg Scarth checks out their new Multiclock, which offers sample-accurate DAW synchronisation and the versatility to handle everything from modern MIDI gear to vintage analogue kit and modular synths. an audio channel that has it's input set as the output (post mixer) of the midi channel. E-RM Multiclock - Attack Magazine E-RM specialise in improving the timing of your equipment. This is where the bar long midi note is triggered.Ģ. a midi channel with an external instrument plugin, these generally have 7-8ms of latency set. I've tried power cycling with the USB cable plugged in, still can't get it working.Ībleton set up: Delay compensation and reduced latency while monitoring are turned on. I understand there is a bug with USB midi in this version that we're waiting to be resolved. I've tried to get it working with USB midi to sanity check but I can't seem to get it working. Pro 3 has latest firmware installed: 1.1.0. For it to be 'in time' it must show each note of the arpeggiator as being on the grid in the resultant audio recording.

#Multiclock erm Patch

This is weird.īy 'in time' I mean that the audio signal that gets recorded in Ableton is on the grid when I use a basic patch with arpeggiator and trigger it with a bar long midi note from Ableton. The Pro 3 needs an offset of '+1ms' to be set on the ERM in order for it to be in time. I would not slave Ableton to a midi-clock. There are other synths also clocked by the ERM and all have an offset between +30 to +49 as is to be expected. If you have a synth that doesnt require a clock (as it has no sequencer built in) then the multiclock doesnt change anything about the timing of midi notes from Ableton. There is a Prophet 08 also being clocked by the same ERM multiclock at the same time, in order to be in time it's offset is set at +49ms. This means that we would expect any synth clocked by the ERM to need an offset set on the ERM of around +50ms or a little less in order to account for latency. The ERM is sent an audio signal from Ableton as it's master clock, on a track that has a -50ms delay. The Pro 3 is being clocked via midi din from an ERM multiclock. I've looked through the previous posts here and nothing seems to cover it, so I've created a detailed bug report. Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals. PORT 4 - Nothing as yet, or shift over some of the load on PORT 1ĭoes this seem ok? It leaves me loads of room to expand which is good.Firstly, I love this synth! However I am having some weird sync issues with the Pro 3. I’m having a bit of a nightmare with Sync and what appears to be midi jitter and I’m considering getting an ERM multiclock but, wondered if there was anything I am missing. PORT 3 - OUT to into Kenton 5x THRU - midi clock for effects units. 1 Hi everyone, I’m pretty sure this topic has been discussed at length but, I would like some advice from you all.

PORT 2 - OUT to Kenton Pro 2 just for MIDI notes for SH101 / MS20 With the MachineDrum and DrumBrute, and probably every drum machine out there, sync results are better if Live slaves to the hardware (having said that, if you want totally solid timing, the best solution is something like ERM’s Multiclock, which generates its own sync and shares it across several outputs).

#Multiclock erm generator

Check out my other listings From manufacturer website: ANY CLOCK INPUT: The multiclock can be the main clock generator or synced to external MIDI, DIN sync and Analogue clocks. PORT 1 - OUT to Kenton 12x THRU and connect the TD3, RD9, Miami, Microfreak, Digitakt This is a fantastic piece of kit for keeping all your synths and gear in perfect, stable sync. So I was thinking how best to organise the 4x OUT ports. I have a Kenton 12x THRU and another Kenton 5x THRU Microfreak - uses Clock for sequencer and arpeggioĮventide Space - uses Clock for time efffectsĮventide H9 - uses Clock for time efffects

#Multiclock erm manual

I have been reading the Multiclock manual extensively, but as this product has been around for a while, I wanted to ask others who have an ERM in their setup how they would connect things up, in advance of my ‘trial and error’ initiation.īoth are running through an old Kenton Pro 2 CV box (2 Channels, CV and Hz/V)Īcidlab Miami (808) - clock based sequencer I just bought an ERM Multiclock to finish of my hybrid setup build (its all been dormant for 7 years!) by linking it to an Ableton Live 11 setup. Set the multiclock Audio Threshold to a value of 00 in the multiclocks CONF->Setup menu and select Audio In as the sync source.